Finally in scene six of John Summers celebration of young gods stroking their sticks, Michael Britten, wearing only red shorts and viewed overhead among a circle of chairs, poses in various spots. He flips through a magazine and ogles hot men as he touches his nipples and sticks his hand down his shorts. He strokes himself through his shorts for a while, teasing the viewer by taking his time with the reveal. He pulls his nuts out first, then his long dick, which he strokes until splattering cum all over his firm stomach.
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The third episode of Mark Reynolds’ hot SoCal trips to the 80s paradise of sunbleached surfers and their wet dreams cum to life is a hot duo watched by another pair eager to join in. Sean Weston had no idea what hot-dogging surfer Tige McMasters was hiding beneath his ever-present wet-suit until the night they shacked up together. Loaded and loose, Tige and Sean can’t get enough of each other in an all-out, nut-busting suckfest that literally leaves both of them drained and panting! Young Sean Weston needn’t have worried. What he couldn’t get of Tige’s long dick down his throat goes up his tight ass.
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In the second scene of Joe Gage’s "lonesome cowboy" saga HEATSTROKE, the action turns to a chance encounter between boss stud Shep (Richard Locke)and the ex-husband of his girl. Shep goes to visit his fiance and instead ends up chatting with her ex, a former Marine, Pete (the equally hairy 70s porn idol Clay Russell). After some double entendre-laden flirtation, disguised as two buddies chatting about marital frustration, Pete describes getting it on with other guys in the service and persuades Shep to give it a go. The two swap blowjobs on Shep’s fiance’s couch, Shep grunting and growling like an animal. Big juicy cumshots spray across the scene in Gage’s trademark slow, splashy style.
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The creepy precondom tale of statues cum to life in a forbidden Paris museum reaches its unsettling finale with a no-holes barred orgy between art student Thomas and the living statues. Is he experiencing his sexual awakening or caught in a trap from which he might never escape? Full of striking colors (combined with occasional black-and-white photography) and haunting electronic music (an outstanding original soundtrack by Didier Vasseur), this film is a visual and sonic treat! Though it’s a slow burn leading up to any explicit sexual action, the build-up is fascinating and electric. An erotic atmosphere is established with cruising-like photography of male forms in art pieces, and once the hardcore scenes truly begin, the pace, sexual momentum and number of participants continues to expand to an orgiastic fever pitch, leading into its ominous conclusion.
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The psychedelic, precondom-era vintage mind trip that is STRICTLY FORBIDDEN continues to build up a dark sexual tale in its second scene.In the dark and mysterious forbidden gallery room, a handsome statue (Hugh Allen) comes to life and approaches Jeffries, sensually tongue-kissing him in tight close-up. He leads him to another room, this one full of many nude male statues. As the others also come to life, Jeffries finds himself on a table surrounded by ravenous men, one bearded and hairy. His naked body on display, the now-animate statues lean in and fondle him. He gets a blowjob while sucking the bearded man’s cock, filmed both in color and black-and-white, with lingering shots so close-up to the action that body parts lose distinction and become abstract.
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