In Chicago, we watch the fantasy of another caller, who describes a bunch of guys getting together in an office that’s closed for an hour at lunchtime. One man flips through girlie magazines as countless others enter the room, one by one. "Most of the guys are married and they like to look at dirty pictures and beat off. They don’t care who watches." Faces are barely glimpsed in this "strictly uninhibited jack off" scene. The guys (described as wearing every conceivable iconic item of masculine/blue collar attire: "Levis, hard hats, construction boots, flannel shirts, leather vests, leather jackets, motorcycle caps, cowboy gear, military uniforms, football and baseball jerseys, bare-ass leather chaps, police gear, metal cock rings, combat boots, jockstraps…") feel each others’ crotches as they flip through the magazines. Cocks emerge for self-stroking, handjobs, and blowjobs. Hands grasp flesh in close ups; one man sucks on balls as their owner beats his meat. Poppers are sniffed and seed is shot into the air as the caller continues his incessant stream of dirty talk.
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In Scene 3, we move on to Sioux City, Iowa. This marks the first scene starring Roy Garrett. As described in voice mail, it’s set in an adult theater. The crowd gets excited as they watch the picture play; the porno movie shows group sex in a public restroom, kicking off with lengthy simultaneous streams of piss, one from a nude man and another from a guy in a leather jacket and chaps. Another fellow joins in, and the pissers continue to create arced streams, filling the trough, as the theatergoers observe, eye each other, and touch themselves through their pants. Roy Garrett makes appearances both on screen and in the theater crowd, as a participant of the unfolding cinematic orgy and as a voyeuristic theater masturbator, sitting behind theatergoers who are jacking or sucking each other off. The onscreen orgy has escalated into a large crowd of nude guys all wildly groping and fondling each other in the showers, sucking cock, and stripping down a bearded man who’s in there, semi-clothed, shirt soaked. Numerous lingering cumshots are captured and more loads are shot into mouths as the groups in both locations ramp up the excitement.
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Next up in Joe’s jerkoff-o-rama: Cheyenne, Wyoming. Another caller tells Gage about a scene he’d enjoy in a cowboy bunkhouse. A whole room full of guys are sprawled out, asleep by the fire at night, most in jeans and flannel, some without shirts, some in long johns. "Everybody’s restless. Some guys are trying to sleep… but some others want to party." A few wandering hands begin caressing the bodies on the floor and the scene quickly turns into one of mass groping, making out, and cock tugging. Cocks are freed from denim, jockstraps are revealed, and several of the guys get on their knees to suck dick, swallowing the loads that shoot out. In a faceless cluster of action, a bent over man is caressed by two others, while another guy beats off behind him and cums on his back. Six or seven other faceless men stroke themselves off in a circle around a reclining man, cumming all over him as he also works himself up to climax. As the music builds up to a racing tempo, one man licks balls while several anonymous cocks are jacked off at a furious pace above him. Nipples are pinched and more cum is devoured.
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"Hello, Joe?" In HANDSOME, Director Joe ‘s dirty phone scenarios inspire a series of hot male sex scenes, mainly jerkoff and oral. As Joe drives down a highway, he presses play on a cassette tape of voice mails that men have left him describing hot scenarios they’d like to see in his next movie. These take us into a series of erotic vignettes. First is Scene 1, in Elko, Nevada, where a man is working late at a gas station and has some time on his hands. While drinking a Bud and smoking a cigarette, he calls up his son, who is also working late as a janitor at a gym. The father starts stroking his thick cock while talking (only his prick and the lower, mustached half of his face are shown during the scene), knowing his son is "probably pretty horny too." The son also pulls his dick out of his gym shorts and starts beating off in the locker room. The two jack off while on the phone, never telling each other what they’re up to. The phone caller’s description of the scenario and the father’s dialogue are layered in with the driving electronic Man Parrish score.
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Next scene of Johnny Harden & Friends, and Johnny and Brady Lewis get into a spirited wrestling session (which is a whole lot of fun to witness). The two guys toss each other around and, as they do so, tear each other’s clothes off and grab at cocks and ass cheeks spilling out of garments. Johnny gains dominance over Brady (after an evenly matched start) and kneels over him on the wrestling mat, pinning his pal’s arms and sticking his cock in his face. Johnny then straddles Brady and they each take turns grasping their cocks together and stroking them as one. The two then straddle a bench, facing each other, and jack off together, cumming all over a mirror lying on the bench between them.
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