Left Handed: The first Hand-in-Hand, shot-on-film vintage gay porn feature movie made at the end of the "hippy" era, during which long hair, beards, and body hair were plentiful. Ray Frank stars as man exploring New York’s and Woodstock’s unbridled passion, drugs, lust, and authentic excitement. Ray is often bored and seeks the purity of ritual sexuality and seduction without all the hang-ups. The video’s first sexual action puts Ray in a public john taking a piss. A big-dicked man watches him and soon the two are giving head in a stall. The stranger cums, and Ray swallows his load, wiping his mouth and beard with toilet paper. Ray meets straight country-boy, Bob (Robert Rikas) and vows to seduce him. Highlights include a tasteful heterosexual scene with Bob (with the female sucking his big boner and him plugging her good as we watch shots of his ass and hips thrusting); big-dicked glory-hole "artists;" and Ray taking dick up the ass and cum from an antique/drug-dealer (long-haired and bearded Larry Burns) in his shop in a fantasy sequence. This film features fisting, 69ing, hooded cocks, ass-eating, psychedelia, and massive five-man orgy at the film’s end hosted by Larry. It also includes fucking in the shower, outdoor segments, and plenty of pre-condom, pre-AIDS sex. Red lighting, the use of black-and-white photography for fantasy and other techniques add to the artful, stimulating eroticism of this film. "A gay sex film of inherent quality, delicate scope… a breathtaking lovely, tender male love story… artful, touching and poignant." – The Gay Scene "Left-Handed director Jack Deveau’s first feature presents a cast of beautiful men in explicit, beautiful photographed scenes that will please everyone, from those with exotic tastes to those with pedestrian tastes, and everyone in between." – The Advocate "As pornography goes, the film is remarkable because of its aesthetic sophistication and intellectual curiousity… While taut, the plot is not merely a flimsy premise to introduce one more sexual possibility. The essence of economy, all action advances the obsessional sexual pursuits of the central character, Ray, and all gratuitous "emotionality" which does not bear directly on the erotic situation has been pruned away. – Mallory Callan, The Reader: Chicago’s Free Weekly, March 16, 1973 The sound is dubbed in this film. Full original score, featuring songs "Left-Handed," "Hold the Day," "I’m Just Tired," "Forget It I Got It," and "Don’t Cry Now," as well as an instrumental theme, "Infra-Red." This remastering includes the original fisting scene, which had been edited out of the original video reissue. Year Released: 1972. Studio: Hand in Hand. Director: Jack Deveau & Jaap Penraat
Download this Video at RetroMales 2257

BIJOU is proud to present this Hand-in-Hand film collection of eight short films from brilliant filmmaker Peter de Rome. Artistic, erotic, homoerotic and explosive, these vintage gay porn classic films boast both an artistic appeal and feature a variety of natural, dangerous and intriguing manhood! Double Exposure was filmed on Fire Island in 1969 and features homoerotic content. A man notices a naked figure standing by a window in a house and enters the home, only to be confronted with the figure laying on a sofa below while he’s standing on a staircase; he watches the body twist in sensual abandon until he descends the stairs and finds the man gone. Hot Pants was filmed in New York in 1971 and was the winner of the "Best Short" award at the Amsterdam Wet Dream Film Festival in 1971. Here, a black man with a monstrously huge, uncut cock is shown dancing and gyrating naked. He beats off his tremendous cock and shoots a huge load of cum all over the place, filmed in larger-than-life and super huge close-up! The Second Coming was filmed in London, Paris, Malaga and Marbella in 1970. What follows are interesting, artful shots of a Christ-like figure on a cross who is shown reaching erection without touching his cock. Zooms on the man’s cock and balls proceed from flaccid to erect states and the figure is presented as being "punished" by not being able to jack off since his hands are bound to the cross like Christ. Daydreams from a Crosstown Buswas filmed in New York in 1972. A mustached, Italian-looking man rides a bus and joins another at night, sucking cock, then fucking missionary style. Also includes: Prometheus (a combination of Greek myth with rough and naked manhood; made in 1972 in New York), Underground (in which sex is had on an actual moving subway; made in 1972 in New York), Mumbo Jumbo (a hilarious comedy with a tongue-in-cheek approach; made in 1972 in both London and New York), and Green Thoughts (a gathering of lust and nature’s natural wonders; made in 1970-71 in Kew Gardens, London). "It ranks high on the list of all-time classics and boasts an artistic achievement that puts most mainstream productions to shame. They just don’t make ‘em like this any more." – Adult Video News "A Gay Porn Masterpiece… He has an eye, and a feeling for film rhythm, this Peter de Rome, as well as a visual understanding of the coordinates of gay existence …" – Chicago Reader Also recently re-released by the BFI, this collection of gay classic experimental erotic films is a must-watch for those interested in the history of gay and erotic cinema. Year Released: 1970-1972. Director: Peter de Rome. Studio: Hand in Hand. Cast: Ray Frank.
Download this Video at RetroMales 2257

BIJOU is proud to present this Hand-in-Hand film collection of eight short films from brilliant filmmaker Peter de Rome. Artistic, erotic, homoerotic and explosive, these vintage gay porn classic films boast both an artistic appeal and feature a variety of natural, dangerous and intriguing manhood! Double Exposure was filmed on Fire Island in 1969 and features homoerotic content. A man notices a naked figure standing by a window in a house and enters the home, only to be confronted with the figure laying on a sofa below while he’s standing on a staircase; he watches the body twist in sensual abandon until he descends the stairs and finds the man gone. Hot Pants was filmed in New York in 1971 and was the winner of the "Best Short" award at the Amsterdam Wet Dream Film Festival in 1971. Here, a black man with a monstrously huge, uncut cock is shown dancing and gyrating naked. He beats off his tremendous cock and shoots a huge load of cum all over the place, filmed in larger-than-life and super huge close-up! The Second Coming was filmed in London, Paris, Malaga and Marbella in 1970. What follows are interesting, artful shots of a Christ-like figure on a cross who is shown reaching erection without touching his cock. Zooms on the man’s cock and balls proceed from flaccid to erect states and the figure is presented as being "punished" by not being able to jack off since his hands are bound to the cross like Christ. Daydreams from a Crosstown Buswas filmed in New York in 1972. A mustached, Italian-looking man rides a bus and joins another at night, sucking cock, then fucking missionary style. Also includes: Prometheus (a combination of Greek myth with rough and naked manhood; made in 1972 in New York), Underground (in which sex is had on an actual moving subway; made in 1972 in New York), Mumbo Jumbo (a hilarious comedy with a tongue-in-cheek approach; made in 1972 in both London and New York), and Green Thoughts (a gathering of lust and nature’s natural wonders; made in 1970-71 in Kew Gardens, London). "It ranks high on the list of all-time classics and boasts an artistic achievement that puts most mainstream productions to shame. They just don’t make ‘em like this any more." – Adult Video News "A Gay Porn Masterpiece… He has an eye, and a feeling for film rhythm, this Peter de Rome, as well as a visual understanding of the coordinates of gay existence …" – Chicago Reader Also recently re-released by the BFI, this collection of gay classic experimental erotic films is a must-watch for those interested in the history of gay and erotic cinema. Year Released: 1970-1972. Director: Peter de Rome. Studio: Hand in Hand. Cast: Ray Frank.
Download this Video at RetroMales 2257

Erotic Hands features some of the boldest, most unusual sex material ever recorded on film. In two parts, the first section is a demonstration of fist-fucking by three bearded, masculine men. The give a performance that has to be seen to be believed. An arm enters a rectum up the bicep. It seems impossible, but it is in good, clear color photography. Variations are also demonstrated, including a man fisting the two others simultaneously. Some sex toys are employed and them masturbate to orgasm. Part 2 of Erotic Hands is an excellent French film concerned mainly with leather fetishes. Two leathermen make love on a Honda motorcycle using motor oil for lubricant. One man never removes his helmet until the very end at which time he throws back his head and laughs maniacally. A second scene shows debasement and domination as a man in a leather face mask degrades his partner. Included in this bizarre segment is bootlicking, beating, fisting, water play. (We also learn in this film that "fist-fucking" in French is "fist-fucking.") This vintage gay porn film is very well-made and thoroughly fascinating from start to finish. It is not, however, for the squeamish. One Bijou reviewer wrote: Perhaps the title of this dark (both physically and spiritually) phantasmagoric collage should be Mains Erotiques, as the last two scenes are prefaced and concluded by a French narrator in a suit. My French is rusty, despite six years of study, but some of the words I could pick out were "American," "leather," "sadomasochism," "profound," and "unique." Two of the introductions begin with close-ups of his lean hands. Hands usually equals fisting in the movie, but one of the more obscure scenes seems to revel in shots of gloves and long, angular hands. To be truthful, for most of the movie I was not certain what was actually happening, though some individual images and sounds were enticing, but the movie failed to mesh together as a coherent whole. The cheesy B-movie soundtrack for most of the scenes ended up being a distraction (that strange wind instrument sounds like a cliched UFO landing Cecil B. DeMille used in The Ten Commandments to represent the Angel of Death is here overused ad nauseam), and much of the action was shrouded in gloom. The first scene is a good-old-boy vintage threesome (close-cut beards, rugged boots) that revels in missionary, slingless fisting that is slow, erotic, and nonbrutal. The action is accompanied by strapping with a belt and the cocksucking is refreshingly intense, especially the bearded bottom. When the third guy enters, one sucks off the bottom while getting fisted. When the Crisco emerges in all its moist, sloppy glory, the strange classical/jazz piano music actually enhances the scene. As the three-way continues with a natural, unconstrained impetus, fucking and fisting occur simultaneously, climaxing in an incredible scene in which the main top fists the two guys at once up to the elbow. O Crisco-coated arm of power and glory! O belt in the ass. The cumshots are disappointing, the transition unclear, though one gets a glimpse of some clear drops. The dicks are surprisingly mediocre given the intense level of the action, but the shafts are smooth and the balls firm and cleanly shaved. The next two scenes are bound together by the French narrator (discussed above), and are essentially attempts to combine "ze art" film with hardcore pornography, mostly unsuccessfully. A helmeted individual wearing skin-tight jeans and loud echoing motorcycle boots (woof!) exits a subway, mounts a motorcycle, and rides to a warehouse. Another helmeted individual (who turns out to be the top in the scene), awaits him on a motorcycle, but the scene is so murky and phantasmagoric that one can’t tell what is really happening. Odd, obscure close-up shots of hands and gloves abound, and when the erotic hand action is over (which seems to be fisting, fucking and cocksucking atop the cycle), the top removes his helmet and emits a high-pitched laugh. The next scene is more effective, though I did not get the artistic point of the interview with the hooded individual (who eats eggs through the mouth slit in his hood). Postmodern, perhaps? But the hooded person turns out to be a top who, after well-oiling his hand and arm with what looks like motor oil (?!), plunges his fist through the ductile hole of a hungry bottom sporting torn and ripped underwear in a leather playroom setting. He also sports a veiny cock, but, alas, few close-ups. The hungry bottom slobbers over and on and in his hooded master’s powercock as he lays back and enjoy the service. The arrogant hooded master at one point plunges the bottom’s head into a tub of water; the choking noises are frightening, and stands over him, wielding the belt. Unfortunately, the lighting darkens obscurely and the frenetic mutual jerk off loses its potential intensity. After he is apparently satisfied, the camera zooms in on his lips and he emits a melodramatically sinister laugh. Year Released: 1974 Studio: Bijou
Download this Video at RetroMales 2257

Erotic Hands features some of the boldest, most unusual sex material ever recorded on film. In two parts, the first section is a demonstration of fist-fucking by three bearded, masculine men. The give a performance that has to be seen to be believed. An arm enters a rectum up the bicep. It seems impossible, but it is in good, clear color photography. Variations are also demonstrated, including a man fisting the two others simultaneously. Some sex toys are employed and them masturbate to orgasm. Part 2 of Erotic Hands is an excellent French film concerned mainly with leather fetishes. Two leathermen make love on a Honda motorcycle using motor oil for lubricant. One man never removes his helmet until the very end at which time he throws back his head and laughs maniacally. A second scene shows debasement and domination as a man in a leather face mask degrades his partner. Included in this bizarre segment is bootlicking, beating, fisting, water play. (We also learn in this film that "fist-fucking" in French is "fist-fucking.") This vintage gay porn film is very well-made and thoroughly fascinating from start to finish. It is not, however, for the squeamish. One Bijou reviewer wrote: Perhaps the title of this dark (both physically and spiritually) phantasmagoric collage should be Mains Erotiques, as the last two scenes are prefaced and concluded by a French narrator in a suit. My French is rusty, despite six years of study, but some of the words I could pick out were "American," "leather," "sadomasochism," "profound," and "unique." Two of the introductions begin with close-ups of his lean hands. Hands usually equals fisting in the movie, but one of the more obscure scenes seems to revel in shots of gloves and long, angular hands. To be truthful, for most of the movie I was not certain what was actually happening, though some individual images and sounds were enticing, but the movie failed to mesh together as a coherent whole. The cheesy B-movie soundtrack for most of the scenes ended up being a distraction (that strange wind instrument sounds like a cliched UFO landing Cecil B. DeMille used in The Ten Commandments to represent the Angel of Death is here overused ad nauseam), and much of the action was shrouded in gloom. The first scene is a good-old-boy vintage threesome (close-cut beards, rugged boots) that revels in missionary, slingless fisting that is slow, erotic, and nonbrutal. The action is accompanied by strapping with a belt and the cocksucking is refreshingly intense, especially the bearded bottom. When the third guy enters, one sucks off the bottom while getting fisted. When the Crisco emerges in all its moist, sloppy glory, the strange classical/jazz piano music actually enhances the scene. As the three-way continues with a natural, unconstrained impetus, fucking and fisting occur simultaneously, climaxing in an incredible scene in which the main top fists the two guys at once up to the elbow. O Crisco-coated arm of power and glory! O belt in the ass. The cumshots are disappointing, the transition unclear, though one gets a glimpse of some clear drops. The dicks are surprisingly mediocre given the intense level of the action, but the shafts are smooth and the balls firm and cleanly shaved. The next two scenes are bound together by the French narrator (discussed above), and are essentially attempts to combine "ze art" film with hardcore pornography, mostly unsuccessfully. A helmeted individual wearing skin-tight jeans and loud echoing motorcycle boots (woof!) exits a subway, mounts a motorcycle, and rides to a warehouse. Another helmeted individual (who turns out to be the top in the scene), awaits him on a motorcycle, but the scene is so murky and phantasmagoric that one can’t tell what is really happening. Odd, obscure close-up shots of hands and gloves abound, and when the erotic hand action is over (which seems to be fisting, fucking and cocksucking atop the cycle), the top removes his helmet and emits a high-pitched laugh. The next scene is more effective, though I did not get the artistic point of the interview with the hooded individual (who eats eggs through the mouth slit in his hood). Postmodern, perhaps? But the hooded person turns out to be a top who, after well-oiling his hand and arm with what looks like motor oil (?!), plunges his fist through the ductile hole of a hungry bottom sporting torn and ripped underwear in a leather playroom setting. He also sports a veiny cock, but, alas, few close-ups. The hungry bottom slobbers over and on and in his hooded master’s powercock as he lays back and enjoy the service. The arrogant hooded master at one point plunges the bottom’s head into a tub of water; the choking noises are frightening, and stands over him, wielding the belt. Unfortunately, the lighting darkens obscurely and the frenetic mutual jerk off loses its potential intensity. After he is apparently satisfied, the camera zooms in on his lips and he emits a melodramatically sinister laugh. Year Released: 1974 Studio: Bijou
Download this Video at RetroMales 2257

©ManSurferSuffusion theme by Sayontan Sinha