Love A Man With A Beard: That attraction to men with beards … it’s almost that growth on the face in some cases exudes sex, even if one doesn’t fetishize hair itself. In fact, one study recently claimed that a trimmed beard or a ten-day stubble on a guy is the most sexy for women (and thus gay men). The first of four volumes featuring some of the hottest vintage gay porn scenes starring bearded men! This volume includes scenes from classic gay porn movies: Wanted, Mr. Footlong’s Encounter, Dangerous, A Sweet Taste of Youth, Bullet Videopac 4 ("Glen’s Cove"), Born to Raise Hell, Centurians of Rome, Left-Handed, Duffy’s Tavern, and Twelve at Noon. Scene Descriptions: Wanted: This is a flashback, in which Al Parker’s character remembers his affair with a ranch hand (his real-life lover, Steve Taylor). It’s a lyrical sex scene in barn between two these bearded men, the sunlight filtering through. Taylor finds Parker washing up and comes to him. They kiss and (literally) roll in the hay. Taylor gropes Parker through his jeans, undoes his fly, and deep-throats his meaty cock. Now, both undressed, Parker gives Taylor a thorough, spitty blow-job, then rims him. Parker fucks Taylor, first with his dick and then with his balls in Taylor’s ass. The scene ends with Parker jerking off onto Taylor’s face. Mr. Footlong’s Encounter: Duncan, a handsome, bearded black man with a large dick and a gentle nature, is a very skillful fucker. He lives with his lover, a butch, hairy, bearded red-head, who brings a trick home to their luxurious house in the Hollywood Hills. Duncan’s lover and his trick (a mustached man with a tattoo of a bull on his ass) fool around beside the pool. Duncan comes outside and finds his lover sucking the trick’s cock. He quickly sheds his robe and joins in the action. Duncan and his lover both service the third man, until his lover leaves to take a break and Duncan takes over the job. Psychedelic visuals accompany the end of this scene, as Duncan holds the man’s legs open wide and fucks him. Dangerous: Scene between Grizzly Adams-esque Michael Braun, who devours dick as if it were a fine pastry, and his lover Jim Rogers. Braun hops into bed with Rogers and peels down the covers. He kisses his way down Rogers’ chest, then sucks his dick. They 69, rim each other, and fuck each other to lush sounds of violins and the glow of a roaring fire, with much tenderness, kissing, and a huge cumshot from Braun. A Sweet Taste of Youth: Handsome, bearded Jeff Colt and his younger, pretty boyfriend Craig Webster are sharing a romantic, fire-lit evening in a cabin together with glasses of wine. They kiss, then undress. Craig sucks Jeff’s cock, then Jeff plows Craig in front of the fireplace and delivers a large load on his back. The scene ends again in a tender moment as Jeff places kisses on Craig’s face. Bullet Videopac 4 — Glen’s Cove: This is a poolside solo scene featuring Glen Dime, a mature, muscular, bearded Target model. Dime rests by the pool. As he stirs, he begins to touch himself, finally coming up into a kneeling, then a standing position, in which he strokes his tick meat to climax. Born to Raise Hell: Bearded leather top-daddy Val Martin gets his in this scene. Val comes upon a newspaper, which has the headline: "Policeman’s Son Brutalized by Sadists" (the leader of these sadist, in previous scenes, was Val). The scene shifts to a forest area, where two bearded cops jump Val. They tie him to a tree and viciously punch and pummel their victim, then carry him to a clearing, lay him on the ground, and fuck his firm, tight ass with a nightstick until Val is exhausted. The cops leave and Val, nude and aching, crawls away. Centurians of Rome: Demetrius (George Payne), held captive in Ancient Rome, is serviced by two bath servants in this scene from the expensive costume epic from Hand in Hand Films. Payne is shackled and the two servants approach him, commenting that he’s "hard and strong" and "handsome like a gladiator." They wash his body, then strip him of his loincloth and suck his cock together, as Payne struggles slightly, but mostly silently endures the attention. One of the bath servants plays with Payne’s nipples and deep-throats him, as the other servant blows the first servant. Payne, against his will, cums in the first servant’s mouth. The scene ends with both bath servants standing and jerk off while admiring and fondling Payne. Left- Handed: Two shaggy-haired, bearded brunets (Ray Franks and Larry Burns) fuck in a trippy black-and-white/color fantasy sequence. This scene jumps back and forth between Ray’s home, where he jerks off on his couch (as his older neighbor spies on him), and the fantasy scene between him and Larry, and features close-ups of kissing, blow jobs, and penetration, where the action becomes abstract. Ass-fingering and fucking round out the scene, and fantasy-Larry cums all over Ray’s face. Ray snaps out of his fantasy, looks out the window to smile at his voyeur neighbor, and walks towards the camera until his package fills the frame. Duffy’s Tavern: A long-haired, mustached blond bartender a bearded brunet man in patchwork jeans stay after closing time. They undress each other and exchange blow jobs. They 69 on top of the bar and stay up there as the bartender sits on the bearded man’s face. The bartender licks the bearded man’s balls as he jerks off, then he fucks the bartender’s face to climax. Twelve at Noon: Bearded and blond Mike Mitchell sits before a gloryhole in a public park restroom, waiting. He sucks off jogger Steve King, workman Tom Sawyer, and 1970′s clone Duff Paxton. The four literally gorge themselves in oral and anal delights as they break into an orgy, always conscious of getting caught by an intruder. Year: 1994
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A Ghost Of A Chance: Perhaps a classic gay porn movie from the Seventies will inevitably seem dated; 16mm film is no longer the medium of choice, the actors are often hairy or at least have shaggy haircuts, and even though the gay sex is vintage bareback, yet this movie portrays tenderness amongst men that is rare today. A Ghost of a Chance from Jaguar is a shining example of all of the above, a true vintage gay porn masterpiece from the "old days" with its flawless cinematography, a well-written and acted story, great special effects, and beautiful sex. After viewing this film, dated doesn’t seem like such a bad thing, particularly in light of the film’s dinosaur politics. Scenes include: young guys, sixty-nine, pre-condom sex/no condoms. Redheaded younger guy Glenn Brock stars as Jerry, a guy who just can’t seem to shake off the death of his lover Cass, played by prettier-than-Leif Garret Roy Clark. One night Jerry is making love to his new boyfriend, stud for all seasons, Jimmy Hughes when he thinks he sees Cass over by the dresser. He brushes off his suspicions and returns to giving Hughes some head. Hughes mounts Brock and fucks him with rockin’ rhythm, kissing him the entire time. They both jack themselves to climax; their spouting orgasms are captured in rapturous slow motion. Across town, Toby Willis, a brunette beauty with a Monkees hairstyle, has a serious conversation with his mother. She tells him that she wants to get married to her new boyfriend. Willis doesn’t like the guy so he storms out of the house. He decides to cut school and go to the beach. He rides his bike in the pouring rain to the deserted beach where he explores the rocks. He sees a man who he thinks is his old friend and unrequited object of desire, Cass. He follows the man into a cave. They make sweet love on the wet, sandy ground. They hold each other and kiss cautiously; they have sex the way one would imagine two nervous teenagers would. The intense red lighting and moody music add incredible atmosphere to the already effective proceedings. After they cum, Willis learns that his new friend’s name is Jim, but gosh darn-it! if he doesn’t look exactly like Cass. On the other side of town Jerry sees Cass in a clothing store. Jerry freaks out and curses his "ethereal voyeur", but Cass soon explains why he’s on earth in spectral form and Jerry becomes quite happy with his presence. They then go to a bar where Cass, naked and invisible to everyone except for Jerry, describes all of the things he’s learned since he died. He offers his theories on why men should have sex with whomever they want, even if they’re in monogamous relationships. You see, Jerry has learned that life is too short to deny one’s self pleasure. He fantasizes about two mustachioed men at the bar. He tells us that they both have boyfriends, but they shouldn’t have to give up on their needs. They fuck and suck in a white room, all gauzy and romantic-like. This lofty proselytizing speaks to the need for liberatory ideas about sexuality in the wake of Stonewall. In fact, freedom is a common theme in Seventies porn, that is, when freedom is equated with sexual abandon. Such a notion makes sense, what could be more liberating than the assertion of one’s sexual autonomy? Gay sex as a radical act… Well, but then there’s today, where we can almost draw a straight line from this kind of thinking to the arrival of AIDS and its attendant homophobia (that seems too polite a term). I don’t want shake my finger at older generations and scold them, that would be historical and preachy. But there is something to be said about watching men have unprotected sex in gay porn (a term that didn’t even exist when A Ghost of a Chance was made) and hearing "everyone should do it, all the time." People are saying that today, what with the terms "barebacking" and "bug chasing" already part of the queer lexicon. I guess anyone can figure out that the film slips a little towards the end, otherwise I would’ve continued to write about it directly. Well, it does become increasingly comedic and light, even as the sex is still amazingly lit, shot and acted. The scene in which Jerry gets rimmed by his ghostly paramour is particularly worth a look see, as is the four-way split-screen climax with Roy Clark fucking two guys in two different places. The ending is a mythic, Hollywood-style paean to everlasting love, presumably touching, but more like a conservative slap in the face compared to the radical banter of the first hour and a half. A Ghost of a Chance is without a doubt a classic gay porn film offering vintage gay sex barebacking, superior in its day and a little peculiar today.
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Turned On: Al Parker is turned on by Sky Dawson after noticing him in a bar in this elaborately staged fantasy of male erotica by director Steve Scott that’s a floating free-for-all of slow and relentless sexual onslaught. A landmark vintage gay porn classic video of deliberate staging, slow pacing, professionally made, and lighting and photography effects, Parker pursues Dawson again and again, only to just miss him and leave him frustrated. The opening segment has Parker following beautiful, uncut and hung Dawson into a john, only to lose him. He ends up fucking a cute blond’s (Joel Thomas) asshole in a stall. When the stall door accidentally swings open, Parker sees a man (Greg Dale) servicing Dawson’s thick rod by the sinks, but when he comes out, Dawson is gone. The rest of the video is an elaborately staged dream sequence in which Parker pursues his mystery man through a phantasmagoria of male erotica. Images include a locker room with male body parts behind every locker door, Parker and Dawson servicing rows (a sort of chorus line) of humpy, athletic men in jockstraps. Scott Taylor performs a unique, tour-de-force solo for a masturbating crowd, here showing off his dancing techniques and performing a rubber-limbed act that includes stuffing his cock and balls up his own ass. For the finale, Taylor sucks himself off. The film ends with a steam room orgy where every man except Parker is wearing a Sky Dawson mask, a gallery of super masculine stereotypes, including a sailor (Jim Rodgers), a cowboy (Bob Moore), a businessman (J.W. King), a logger (John Trent), a hooded leather-man (who may or not be Dawson), and a construction worker (Beau Matthews). Other unique images include close-ups of an asshole on a squatting man, revealing it nearly turned inside out, and eye-opener orgasms, including those that fall on upturned faces. Although Dawson and Parker finally do couple, at the Mac Baths in Los Angeles, their joining is only brief and does not relieve the build-up the other, powerful segments presented. By film’s end, Parker has mouthed eleven men, humped five butts, and taken several men over the edge to orgasm. A profound, unique and relentless ode of man-man fucking and pre-AIDS sex. A sure fire masterpiece! Parker himself calls Turned On more bizarre than anything else he’s ever done. "There is really nothing to complain about in the entire film: it is profoundly conceived; it is relentlessly arousing; it is flawlessly cast; it is stunningly photographed; and most of all, it is deeply perceptive in both its portrait of gay life in the fast lane before AIDS and in its timeless revelations about the power of the sexual impulse… Before Turned On is over, Parker has sucked off eleven different cocks (bringing most of them to orgasm) and fucked five different asses (reaching orgasm himself in most instances). Such virtuosity puts to shame most of the so-called stars of today, who all too often barely manage to get through one scene during the course of any given film. To call Parker a superstar is not mere hype; here he single-handedly defines the term, almost invents it." Manshots, July 1990. Year Released: 1982. Director: Steve Scott. Featuring: Al Parker, Sky Dawson, Scott Taylor, Beau Matthews, J.W. King, Gian Carlos, Joel Thomas, Greg Dale, Jim Rodgers, Bob Moore, John Trent, Lee Brubaker, Rick Faulkner and Mike Davis.
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Turned On: Al Parker is turned on by Sky Dawson after noticing him in a bar in this elaborately staged fantasy of male erotica by director Steve Scott that’s a floating free-for-all of slow and relentless sexual onslaught. A landmark vintage gay porn classic video of deliberate staging, slow pacing, professionally made, and lighting and photography effects, Parker pursues Dawson again and again, only to just miss him and leave him frustrated. The opening segment has Parker following beautiful, uncut and hung Dawson into a john, only to lose him. He ends up fucking a cute blond’s (Joel Thomas) asshole in a stall. When the stall door accidentally swings open, Parker sees a man (Greg Dale) servicing Dawson’s thick rod by the sinks, but when he comes out, Dawson is gone. The rest of the video is an elaborately staged dream sequence in which Parker pursues his mystery man through a phantasmagoria of male erotica. Images include a locker room with male body parts behind every locker door, Parker and Dawson servicing rows (a sort of chorus line) of humpy, athletic men in jockstraps. Scott Taylor performs a unique, tour-de-force solo for a masturbating crowd, here showing off his dancing techniques and performing a rubber-limbed act that includes stuffing his cock and balls up his own ass. For the finale, Taylor sucks himself off. The film ends with a steam room orgy where every man except Parker is wearing a Sky Dawson mask, a gallery of super masculine stereotypes, including a sailor (Jim Rodgers), a cowboy (Bob Moore), a businessman (J.W. King), a logger (John Trent), a hooded leather-man (who may or not be Dawson), and a construction worker (Beau Matthews). Other unique images include close-ups of an asshole on a squatting man, revealing it nearly turned inside out, and eye-opener orgasms, including those that fall on upturned faces. Although Dawson and Parker finally do couple, at the Mac Baths in Los Angeles, their joining is only brief and does not relieve the build-up the other, powerful segments presented. By film’s end, Parker has mouthed eleven men, humped five butts, and taken several men over the edge to orgasm. A profound, unique and relentless ode of man-man fucking and pre-AIDS sex. A sure fire masterpiece! Parker himself calls Turned On more bizarre than anything else he’s ever done. "There is really nothing to complain about in the entire film: it is profoundly conceived; it is relentlessly arousing; it is flawlessly cast; it is stunningly photographed; and most of all, it is deeply perceptive in both its portrait of gay life in the fast lane before AIDS and in its timeless revelations about the power of the sexual impulse… Before Turned On is over, Parker has sucked off eleven different cocks (bringing most of them to orgasm) and fucked five different asses (reaching orgasm himself in most instances). Such virtuosity puts to shame most of the so-called stars of today, who all too often barely manage to get through one scene during the course of any given film. To call Parker a superstar is not mere hype; here he single-handedly defines the term, almost invents it." Manshots, July 1990. Year Released: 1982. Director: Steve Scott. Featuring: Al Parker, Sky Dawson, Scott Taylor, Beau Matthews, J.W. King, Gian Carlos, Joel Thomas, Greg Dale, Jim Rodgers, Bob Moore, John Trent, Lee Brubaker, Rick Faulkner and Mike Davis.
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Food Sex: A Bijou Video original compilation of classic gay porn scenes focusing on sex, masturbation, foreplay, and fantasy involving food. Zucchinis, ears of corn, sausages, whipped cream, frosting, tomatoes, grapes, cucumbers, carrots, hot dogs, cantaloupes, bananas, and more! Featuring nearly two hours’ worth of selections from many films, including Twelve at Noon, Big Bear Men, Home Movies, Hard Disk Drive, Rough Trades, Butt of Course, Butthole Banquet 2, California Blue, The Night Before, Lovers and Friends, Hooked on Hispanics 2: Bronx Crew, Butthole Banquet 3, and Morning Noon and Night, plus some brief interludes from other gay porn classics! This compilation opens with a short clip from J. Brian’s CHAPTER 3 (1971) of one man at a cookout putting another man’s cock into a hot dog bun, squirting a line of mustard on it, then, eating the bun from around his cock and sucking the mustard off! Next is a classic sequence from Steve Scott’s TWELVE AT NOON (1976), featuring cute redhead Larry Paige as a waiter who is putting together dessert for his boss and his boss’ "friend". Paige’s boss forgets to turn the intercom off and Paige overhears what he’s up to with his buddy, becomes aroused, and fucks a hole the cantaloupe that he’s brought out to serve. Just before he’s about to cum, Paige gets a big bowl of whipped cream out of the fridge, rubs it on his cock, then cums in the whipped cream. Paige balls the melon and places it and the cummy whipped cream upon a jello mold, then winks at the camera as he takes it to deliver to his boss and pal. Following that, we have a scene from BIG BEAR MEN (1992, C.O.A. Productions) showing a furry guy sucking on a carrot and shoving a fat cucumber up his hairy asshole. He then jerks himself off, cums on his fuzzy stomach, and eats the cum off his finger. After this is a very brief shot of handsome Casey Donovan with cum all over his face, from the movie CASEY (1971, Donald Crane), as he looks into the camera and coyly exclaims, "Protein!" Next is a fun scene from HOME MOVIES (1990, John Stevens), in which one slim younger man (Tommy Dianna) wakes another one (Michael Keenan) up to serve him his late night milk and cookies. Michael requests for his cock to be heated up with a warm cloth, but complains about the cloth being too hot. Tommy knows how to cool it down, dipping it in the glass of milk. He then sucks the milk off of his cock, sprays it up thoroughly with Reddi-Whip, and sucks that off of it, too! Michael takes a turn with the whipped dessert topping, squirting it all over Tommy’s ass and balls and fucking him hard. Sweet! An interlude from the Toby Ross release CLASSMATES (1986) follows, in which student David Ashfield sucks on an over sized lollipop and flirts with his teacher (Jack Luft) to a goofy whistling soundtrack. Then comes a segment from HARD DISK DRIVE (Surge Studio, 1985). Adorable redheaded Randy Rider serves up more than a banana split to an older, humpy, mustached customer in his soda fountain, while another lustful, brown-haired youth watches, admiring and erotically sucking on a hot dog. This young man joins the other two for some threeway action of fucking and sucking on the bar stools and over a table, complete with a huge cumshot! Following that is a jaw-dropping scene from Hand in Hand’s ROUGH TRADES (1977, directed by Jack Deveau) where Steve Dory and deliveryman David Gorsky get stuck in an elevator with a grocery bag and Gorsky’s impressive asshole accommodates everything in the bag: celery stocks, ears of corn, a massive sausage, and an eggplant! Next, back to CASEY for some quirky flirtation between another grocery deliveryman and Casey Donovan, himself. The grocery boy chews gum and hands Donovan a bag of potatoes. Donovan offers him one and the delivery boy bites into it, saying that potatoes make him horny. Then comes a section from another release from C.O.A. Productions/Richard Bulger, BUTT OF COURSE (1990). Hairy-chested Matthew Baker washes off an ear of corn, fucks himself with it, and jerks off to climax! After that, another C.O.A. Productions scene from BUTTHOLE BANQUET 2 (1988). Bart Green, a man in his mid-30′s dressed in an open shirt to reveal his masculine chest, luciously blows a fresh cucumber before fucking himself with it. The camera zooms in for closeups of his sphincter flexing (his hole is giant, round, and puckered) while he jacks off. Up next is a very hot scene from CALIFORNIA BLUE (1985). The late, great, hugely hung cutie Scott O’Hara, here with a blond mohawk and sly grin, narrates a recollection of when he was stealing vegetables from a farmer’s field one summer and was stopped by the farmer and a cop. The farmer and cop give O’Hara a hard time, and punk O’Hara complains as they haul him off, handcuff him, and have him blow them both. Narrator O’Hara smirks and says that they didn’t realize how much he liked what was happening. The farmer even pull out a big cucumber and shove it up O’Hara’s ass, and then both men stuff their cocks into O’Hara’s willing asshole at the same time, fucking him simultaneously. They cum on O’Hara’s back and tug him him, collecting the cum on their fingers and feeding it to O’Hara. Narrator O’Hara, cock in hand, jerks off as he fondly remembers this scene. Then we have a weird, psychedelic excerpt from director Peter de Rome’s THE DESTROYING ANGEL (1976, Hand in Hand Films). Tim Kent is spanked and penetrated by a zucchini in bed in this triply-edited scene! Another strange, fun, surreal sequence follows from director Arch Brown’s THE NIGHT BEFORE (1973), also from Hand in Hand Films. Coke Hennessy serves a party of men champagne and fruit and watches as they pair up. They feed each other apples, pour champagne on each others’ bodies, kiss, and roll around. Coke finds a large cock in a fruit bowl and enthusiastically sucks it. All of the men begin to come together in an orgy. Afterwards are a few short clips from Roger Earl’s SEX LUNCH (1985), in which nude waiters serve food and the restaurant patrons and staff make food/sex puns. Then we have a section from Steve Scott and Ron Pearson-directed LOVERS AND FRIENDS (1985). Joel Curry gets up from the table where he and his lover are sitting at a restaurant and goes to find the restroom. Macho Pierce Daniels is making desserts in the kitchen, watches him walk by, and the two men come together for sucking and rimming. Daniels pipes a thick line of frosting onto Curry’s asshole and eats it. Server Cole Taylor walks by and sees them and they begin a threeway with Taylor fucking Curry, using a handful of butter as lube. Next is a short clip from Edward Lee’s BLACK JACKS (1989, produced by Gino Colbert), showing hot, toned black men Ty Jones and Randy Cochran baking cookies and kissing in the kitchen. Ebony Ayes eats one of the cookies as she rolls her eyes and comments that she doesn’t know how they get any baking done with how they’re carrying on. After that is a segment from director Brian Brennan’s HOOKED ON HISPANICS 2: BRONX CREW (1990) set during a dinner in which four sexy Latino men are served a dinner of hot dogs and baked beans. They eat the food and begin to touch themselves under the table, inter-cut with one of the men lustily examining a hot dog on his plate and sucking on it. One of the men climbs under the table and touches a well-muscled man’s cock, but says he’s never sucked cock before. Soon, he’s sucking two alternately, begging for more, as they group into a four-man orgy. This guy shows himself to be the pig he really is, (barely) sharing the muscular man’s cock with the cute younger man who is also trying to suck it. A scene from C.O.A. Productions/Richard Bulger’s BUTTHOLE BANQUET 3 (1988) follows. A butch man with a mustache wearing only a denim jacket, socks, a construction worker’s helmet, a cockring, and sunglasses rubs a cucumber all over his ass and shoves it up it in this hot sequence. Many excellent closeups of the cucumber penetration follow. He finally jacks off and cums on his stomach. Ending this compilation is a great food sex segment from Nick Eliot’s MORNING, NOON AND NIGHT (1975). Joe Gage (director of Kansas City Trucking Co. and its sequels) has a romantic dinner with Dave Daniels. They get into a fight just as one of their other lovers, Greg Meirs stumbles home, and Joe attempts to pie Dave in the face, but it winds up hitting Greg. Things get messy, but the three men wind up on the floor, rolling apples and grapes on each others’ bodies, eating, licking, and sucking. An assortment of pieces of lettuce and cherry tomatoes are set up around one of their cocks, as Gage chows down on this dick salad. They entangle in threeway 69 formations and then Greg and Dave bend Joe over and shove a gigantic, curved squash up his ass. They all suck each other off to climax and end the scene wrapped up together, kissing. Cast: Larry Paige, Michael Keenan, Tommy Dianna, David Ashfield (non-sexual), Jack Luft (non-sexual), Randy Rider, Michael Cummings, Jeff Stone, Hugh Allen, David Gorsky, Casey Donovan (non-sexual), Matthew Baker, Bart Green, Scott O’Hara, Nick Dallas, John Kass, Tim Kent, Coke Hennessy, Jamal Jones, Michael Kade, Alexis Knight, Jerome Smith, Nick Krastroff, Joel Curry, Pierce Daniels, Cole Taylor, Ty Jones (non-sexual), Randy Cochran (non-sexual), Ebony Ayes (non-sexual), Edwardo Lopez, Alcides Vicente, Jason Robles, Jose Pelos, Randy, Joe Gage, Dave Daniels, Greg Miers, others unknown
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